Theatre Anthropology

(2010)

A work demonstration intended to give practical examples of the principles of theatre anthropology

Theatre Anthropology

Actors' techniques of different theatre and dance genres vary according to their tradition, but the principles behind the techniques used to achieve stage presence and mould energy in performance, are common.

Augusto Omolú (Afro-Brazilian Orixá Dance) together with Roberta Carreri and Julia Varley (Odin Teatret) demonstrate these basic principles, from the first steps in training to dialogues established through strong and soft energy, variations of rhythm, extrovert and introvert characteristics, music accompaniment and improvisation with objects.

The demonstration intends to give practical examples of the principles in theatre anthropology as presented by Eugenio Barba in his book "The Paper Canoe". The actors establish a dialogue of physical and vocal actions exploring a range of possible associations before a firm meaning is introduced. Eugenio Barba's book itself becomes a partner - a butterfly, a flag, a fan, a musical instrument, a monument on which to stand… as the actors play transforming words into a dance of impulses.

If Eugenio Barba is present, he joins the actors to answer questions from the audience.

On stage:

Roberta Carreri (Italy/Denmark),

Augusto Omolú (Brazil),

Julia Varley (UK/Denmark)