Eugenio Barba
Eugenio Barba was born in 1936 in Italy and grew up in the
village of Gallipoli. His family's socio-economic situation changed
drastically when his father, a military officer, was a victim of
World War II.
Upon completing high school at the Naples military college
(1954) he abandoned the idea of embarking on a military career
following in his father's footsteps. Instead, in 1954, he emigrated
to Norway to work as a welder and a sailor. At the same time he
took a degree in French, Norwegian Literature and History of
Religions at Oslo University.
In 1961 he went to Poland to learn directing at the State
Theatre School in Warsaw, but left one year later to join Jerzy
Grotowski, who at that time was the director of the Theatre of 13
Rows in Opole. Barba stayed with Grotowski for three years. In 1963
he traveled to India where he studied Kathakali, a theatre form
which was unknown in the West at that time. Barba wrote an essay on
Kathakali which was immediately published in Italy, France, the USA
and Denmark. His first book about Grotowski, In Search of a
Lost Theatre, appeared in 1965 in Italy and Hungary.
When Barba returned to Oslo in 1964, he wanted to become a
professional theatre director but, being a foreigner, he was unable
to find work. He gathered together a few young people who had not
been accepted by the State Theatre School, and created Odin Teatret
in October 1964. As the first theatre group in Europe, they worked
out the new practice of training as a total apprenticeship. They
rehearsed in an air-raid shelter their first production, Ornitofilene, by the
Norwegian author Jens Bjørneboe, which was shown in Norway, Sweden,
Finland and Denmark. They were subsequently invited by the Danish
municipality of Holstebro, a small town in north-west Jutland, to
create a theatre laboratory there. To start with, they were offered
an old farm and a small sum of money. Since then Barba and his
collaborators have made Holstebro the base for their multiple
activities.
During the past forty-eight years Eugenio Barba has directed 76
productions with Odin Teatret and with the intercultural Theatrum
Mundi Ensemble, some of which have required up to two years of
preparation. Among the best known are Ferai (1969), My
Father's House (1972), Brecht's Ashes (1980), The
Gospel according to Oxyrhincus (1985), Talabot
(1988), Kaosmos (1993), Mythos (1998),
Andersen's Dream (2004), The Chronic Life
(2011), Ur-Hamlet (2006), Don Giovanni
all'Inferno (2006) and The Marriage of Medea
(2008).
Since 1974, Eugenio Barba and Odin Teatret have devised their
own way of being present in diverse social contexts through the
practice of the "barter", an exchange of cultural expressions with
a community or an institution, structured as a common
performance.
In 1979 Eugenio Barba founded ISTA, International School of
Theatre Anthropology thus opening a new
field of studies: Theatre Anthropology
Barba is on the advisory boards of scholarly journals such as
"The Drama Review", "Performance Research", "New Theatre
Quarterly", "Teatro e Storia" and "Urdimento". Among his most
recent publications, translated into many languages, are The
Paper Canoe (Routledge), Theatre: Solitude, Craft,
Revolt (Black Mountain Press), Land of Ashes and
Diamonds. My Apprenticeship in Poland,
followed by 26 letters from Jerzy Grotowski to Eugenio
Barba (Black Mountain Press), Arar el cielo (Casa de
las Americas, Havana), La conquista de la diferencia
(Yuyachkani/San Marcos Editorial, Lima), On Dramaturgy and
Directing. Burning the House (Routledge) and A Dictionary
of Theatre Anthropology in collaboration with Nicola Savarese
(Routledge).
Eugenio Barba has been awarded honorary doctorates from the
Universities of Århus, Ayacucho, Bologna, Havana, Warsaw, Plymouth,
Hong Kong, Buenos Aires, Tallinn, Cluj-Napoca as well as the
"Reconnaissance de mérite scientifique" from the University of
Montreal and the Sonning
Prize from the University of Copenhagen.
He is also the recipient of the Danish Academy Award, the
Mexican Theatre Critics' prize and the Pirandello International
Prize.
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